Anderson, Rae. “The Artist’s Studio as a Space of Creativity.” illus. Canadian Review of Art Education (Revue canadienne d’education artistique), 22:1. Concordia University, Montreal, 1995.

Andrews, Benny. "American Art of the Past Twenty Years: A Wonderful Potpourri of Styles and Sources." Art Journal, New York, Summer 1980.

Ayers, Robert, "George Deem: Allan Stone and Pavel Zoubok," illus. ARTnews, New York, April 2009.

Bal, Mieke. “Auf die Haut/Unter die Haut: Barockes steigt an die Oberfläche.” illus. Barock: Neue Sichtweisen einer Epoche, Peter J. Burgard, ed. Vienna, Cologne, Weimar: Boehlau Verlag, 2001.

Bal, Mieke. “George Deem and Peter Angelo Simon: Timely Conversation.” illus. George Deem and Peter Angelo Simon: Paintings and Photographs in Conversation. Catalogue of an exhibition of the same name at the Evansville Museum of Arts and Science, Evansville, Indiana, 2001.

Bal, Mieke. Quoting Caravaggio: Contemporary Art, Preposterous History. illus. Chicago: University of Chicago Press, 1999.

Bond, Constance. "An Artist's New Take on the Old Schools of Art: George Deem in a class by himself." illus. Smithsonian Magazine, Washington, July 1993.

Brown, Gordon. "George Deem." Arts Magazine, New York, February 1978.

Buonagurio, Edgar. “George Deem.” illus. Arts Magazine, New York, November 1977.

Castle, Frederick Ted, Anticipation, a novel, illus. McPherson & Company, 1984.

Collazo, Cicily J. The Rules of Appropriation from the Perspective of a Contemporary Artist. Master's thesis, Trinity College, Hartford, Connecticut, Spring 2016. Trinity College Digital Repository.

Cumming, Robert. A.R.T: A No-nonsense Guide to Art and Artists. London: Everyman Publishers, 2001.

Cumming, Robert. Art: A Field Guide. New York: Alfred A. Knopf, 2001.

Dearinger, David. George Deem: The Art of Art History. illus. Boston: Boston Athenaeum Library, 2012.

Dearinger, David. "George Deem: The Art of Art History." illus. American Art Review, Stratham, New Hampshire, May - June 2012.

Deem, George. Art School. Introduction by Irene McManus. illus. London: Thames & Hudson, 1993. Same format with the subtitle Homage to the Masters, San Francisco: Chronicle Books, 1993.

Deem, George. Art School (Revised format edition). Revised introduction by Irene McManus. illus. London & New York: Thames & Hudson, 2005.

Deem, George. How To Paint A Vermeer: A Painter's History of Art. Introduction by Robert Rosenblum. illus. New York & London: Thames & Hudson, 2004.

Deem, George. Let George Do It. Introduction by Ulla Dydo. illus. Posthumous publication. Sausalito: The Post Apollo Press, 2009.

Deem, George. Meisterklasse:Kunst entdecken mit George Deem (German edition of Art School revised format edition, 2005, with revised introduction by Irene McManus. Translated by Jürgen Schönwälder). illus. Munich and Vienna: Sanssouci im Karl Hanser Verlag, 2005.

Deem George. Täuschend echt: Die Kunst des Sehens (German edition of How To Paint A Vermeer: A Painter's History of Art with introduction by Robert Rosenblum. Translated by Jürgen Schönwälder). illus. Munich and Vienna: Sanssouci im Karl Hanser Verlag, 2004.

Dunne, Susan. "The Art Of Friendship: The Collection of George Deem' At NBMAA/Artist, His Friends Explore Notion of Who Created An Artwork?" The Hartford Courant, April 23, 2012. http:/ /,0,6811209,print,story 

Exhib. cat. Aachen. Kunst um 1970: Art Around 1970. Foreword by Wolfgang Becker (German and English text). Neue Galerie der Stadt Aachen, 1972

Exhib. cat. Allentown, Pennsylvania. The Artist’s Studio in American Painting 1840-1983. illus. Allentown Art Museum, 1983.

Exhib. cat. Chicago. Visions/Painting and Sculpture: Distinguished Alumni 1945 to the Present. illus. School of the Art Institute of Chicago, 1976.

Exhib. cat. Essen. George Deem. illus. Galerie M. E. Thelen, 1970.

Exhib. cat. Eugene, Oregon. The New Traditionalists. illus. Museum of Art, University of Oregon, 1996.

Exhib. cat. Flint, Michigan. The Purloined Image. illus. Flint Institute of Arts, 1993.

Exhib. cat. Fort Wayne, Indiana. Indiana Influence: The Golden Age of Indiana Landscape Painting/Indiana's Modern Legacy. illus. Fort Wayne Museum of Art, 1984.

Exhib. cat. Indianapolis. Painting & Sculpture Today 1970. illus. Indianapolis Museum of Art, 1970.

Exhib. cat.
Indianapolis. Painting & Sculpture Today 1972. illus. Indianapolis Museum of Art, 1972.

Exhib. cat. Indianapolis. Recent Accessions 1966 - 1972. illus. Indianapolis Museum of Art, 1972.

Exhib. cat. Indianapolis. George Deem. illus. Indianapolis Museum of Art, 1974.

Exhib. cat. Lawrence, Kansas. Artists Look at Art. illus. Spencer Museum of Art, University of Kansas, 1978.

Exhib. cat. Milwaukee. Aspects of a New Realism. illus. Milwaukee Art Center, 1969.

Exhib. cat. New Haven. George Deem: Paintings of Vermeer Interiors. illus. Yale University, Jonathan Edwards College Master's House, 2003.

Exhib. cat. New York. George Deem: Quotations (Early Work). illus. Allan Stone Gallery, 2009.

Exhib. cat. New York. George Deem: We Were There (Recent Work). Pavel Zoubok Gallery, 2009.

Exhib. cat. Roslyn Harbor, New York. Art After Art. illus. Nassau County Museum of Art, 1994.

Exhib. cat. San Francisco. Deja Vu: Masterpieces Updated. illus. WAAM: Western Association of Art Museums, 1980.

Exhib. cat. Strasbourg, France. Hyperréalismes USA 1965-1975. illus. Musée d’Art moderne et contemporain de Strasbourg, 2003.

Exhib. cat. Stuttgart. Mona Lisa im 20 Jahhundert. Essay by Udo Kultermann: "Interpersonale Figurationen -- zu George Deems 'Mona Lisa'," 112-116. illus. Wuerttembergische Kunstverein, 1978.

Exhib. cat. Urbana-Champaign, Illinois. Contemporary American Painting and Sculpture 1974. illus. Krannert Art Museum, Champaign, 1974.

Fink, Rosalie, Successful Dyslexics' Alternative Pathways for Reading: A Developmental Study, Harvard Graduate School of Education, 1992.  

Finsel, Joel. swimming naked at the Y: life & times of artist Edward Meneeley. Chapter 6: NY's Changing Climate -- Pop Art & Missed "One of Ed's first acts was to issue The World's First Pop art Newspaper with his Portable Gallery Press, a glorified slide catalogue featuring the works of George Deem, Jim Dine, Robert  Indiana, Jasper Johns (labeled a distinguished forerunner), Roy Lichtenstein, Marisol, Claes Oldenburg, Mel Ramos, James Rosenquist, George Segal, Wayne Thiebaud, Andy Warhol, et al. ... On the back page, among the lists of artists and works available, a listing for the complete library of 345 color slides of Contemporary Painting, including the work of 95 artists, could be purchased for $250."

France, Chris. “Ampersand/George Deem’s Le Musée d’Orsay.” illus. (Inside) Interior Review Magazine 12. Sydney, April 1999.

Franits, Wayne. Vermeer. illus. "This book is dedicated to the memory of two extraordinary aficionados of Vermeer: John Michael Montias and George Deem." Published in the Art & Ideas series, Phaidon Press, 2015.

Friedrich, Dorothea. “Bilder von der Letzten Bank: Der amerikanische Künstler George Deem.” illus. Frankfurter Allgemeine Zeitung Magazin, Frankfurt am Main, July 2, 1993.

Gessel, Herman van. “Oud en Nieuw: De Amerikaanse Kunstenaar George Deem schildert lege Vermeer interieurs.” illus.Rijksmuseum Kunstkrant, Amsterdam, September - October 2000.

Glass, Marguerite. “Vermeer in Dialogue: From Appropriation to Response.” PhD diss., University of Maryland, 2003. 
Download PDF.

Goodyear, Frank H., Jr. Contemporary American Realism since 1960. Catalogue of an exhibition of the same name at the Pennsylvania Academy of the Fine Arts, Philadelphia, 1981. illus. Boston: New York Graphic Society, 1981.

Grosz, David. "George Deem: Pavel Zoubok Gallery." illus. The New York Sun, New York, November 2, 2006.

Haggie, Helen. "Review of Nebraska Art Association's 74th Annual Exhibition." The Lincoln Star, Lincoln,Nebraska, Sunday, April 4, 1965, Page 28.

Hertel, Christiane. “Seven Vermeers: Collection, Reception, Response.” illus. The Cambridge Companion to Vermeer, Wayne E. Franits, ed. New York: Cambridge University Press, 2001.

Hertel, Christiane. Vermeer: Reception and Interpretation. illus. New York: Cambridge University Press, 1996.

Kehoe, Tegan.  "Ceci n'est pas une map: George Deem exhibit at the Boston Athenaeum." illus. Arts America, May 19, 2012.  

Kepinska, Alicja. Sztuka w kulturze plynnosci (Art in the Culture of Flux). illus. Poznan, Poland: Galeria Miejska Arsenal, 2003.

Kultermann, Udo. “Interpersonale Figurationen (zu George Deems Mona Lisa Washington).” illus. Mona Lisa im 20.Jahrhundert. Catalogue of an exhibition of the same name at the Württembergische Kunstverein, 1978. Stuttgart, 1978.

Kultermann, Udo. The New Painting. illus. New York: Praeger, 1969, 1976. Translation of Neue Formen des Bildes.

Kultermann, Udo. The New Realism. illus. New York: Praeger, 1972.

Kultermann, Udo. “Vermeer and Contemporary American Painting.” illus. American Art Review, Los Angeles and Old Lyme, Connecticut, November 1978.

Kultermann, Udo. “Vermeer: versions modernes.” illus. Connaissance des Arts, Paris, April 1977.

Leffingwell, Edward. “George Deem at Pavel Zoubok.” illus. Art in America, New York, July 2002.

Lipman, Jean and Richard Marshall. Art About Art. Catalogue of an exhibition of the same name at the Whitney Museum of American Art, New York, 1978. illus. New York: E. P. Dutton, 1978.

Matusow, Marshall. The Art Collector's Almanac, pp. 168-69. illus. New York?: Jerome E. Treisman, 1965.

McCune, Arthur. "Be True to Your School? Artist George Deem's show is a puzzle that asks 'Does originality define art?'" illus. The Ledger, Lakeland, Florida, March 9, 1994.

McLane, David. "Fish Market Art Colony: Hundreds of artists have studios near the Fulton Market." illus. New York Sunday News, June 17, 1962.

Melly, George. “Back to the Classroom: the American painter George Deem.” illus. The Independent Newspaper Magazine, London, May 1, 1993.

Molesworth, Charles. “How To Live in an Image World: The Strategies of Memory.” Salmagundi: A Quarterly of the Humanities & Social Sciences, Skidmore College, Saratoga Springs, New York, Summer-Fall 2003.

Murken-Altrogge, Christa. "Prozesse der Freiheit": Vom Expressionismus bis zur soul and body art: moderne Malerei fur Einsteiger.  Cologne: DuMont Buch Verlag, 1985

Ochiishi, Augustmoon. "George Deem's Vermeer" (title translated, from the original Japanese, by the author). Shincho (monthly literary  journal), Tokyo, October 2012 (pp. 280-81).

Ottensmeyer, Michael. "George Deem: The Art of Life." illus. 2016

Ottensmeyer, Michael. "The Great Otts: My Father's Story (as told by Edward J. Ottensmeyer Jr)" "George Deem illus. CreateSpace, 2012.

Perricelli, Lynne Moss. “How to Paint a Vermeer: A Painter’s History of Art.” Illus. Book review, American Artist, New York, January 2005.

Peterson, Valerie. "George Deem." illus. ArtNews, New York, November 1963.

Prügel, Roland. "Reflexive Appropriation, Critical Transformation: Paraphrases of Vermeer's 
Art of Painting in the 20th and 21st Centuries." illus. Vermeer, Die Malkunst (Vermeer, The Art of Painting: Scrutiny of a Picture). Exhibition catalogue, Kunsthistorisches Museum, Vienna, 2010.

Raynor, Vivien. "George Deem." The New York Times, New York, November 18, 1977.

Rose, Margaret A. Pictorial Irony, Parody, and Pastiche: Comic interpictoriality in the arts of the 19th and 20th centuries. illus. Bielefeld:
Aisthesis Verlag, 2011.

Sager, Peter. Neue Formen des Realismus: Kunst zwischen Illusion und Wirklichkeit. illus. Cologne: Verlag M. Dumont Schauberg, 1973.

Sager, Peter. “Play Manet oder: Mal’s noch einmal, Meister!” illus. Zeit Magazin, Hamburg, June 8, 1979.

Schnell, Werner. “Das rote Atelier” des Henri Matisse - ein Bild und seine Verwandten. illus. Berlin: Gebr. Mann Verlag, 2001.

Shaffer, Lawrence, ed. “Masterworks and ‘The Work of the Master?’” Under “Art,” Collier’s Encyclopedia. illus. New York: Macmillan Educational Company, 1990.

Srivastava, Seema. “Deem’s Vermeers: A Post-Modern Allegory of Seeing?” Paper presented in Professor Robert Rosenblum’s graduate seminar Neo-Historicism in Late Twentieth-Century Art, Institute of Fine Arts, New York University, December 18, 2001.

Tissot, Roland. "The ideology of Super-Realism." Myth and ideology in American Culture, Régis Durand, ed. Lille: PUL Publications de L'universite de Lille, 1976.

Upshaw, Reagan. “George Deem at Nancy Hoffman.” illus. Art in America, New York, July 2000. 

Vance, Ronald. "Painting Lists." illus. Art and Artists, London, February 1968.

Weinshenker, Anne Betty. "Modern Artists Imitate the Old Masters." illus. USA Today. New York, July 1979.

Weiss, Evelyn. “Kunst in Kunst - Das Zitat in der Pop-Art.” illus. Aachener Kunstblaetter, Aachen, October 1971.

Weller, Allen S.. The Joys and Sorrows of Recent American Art. illus. Urbana Chicago London: University of Illinois Press, 1968, 1970.

Wheelock, Arthur K., Jr. and Marguerite Glass. “The Appreciation of Vermeer in Twentieth-Century America.” illus. The Cambridge Companion to Vermeer, Wayne E. Franits, ed. New York: Cambridge University, 2001.