Related Works
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| WorkSchool of Velazquez
| Image Notes
George Deem's School of Velazquez places Velazquez's work behind a set of desks, so that those desks rather than the King and Queen of Spain are reflected in the back mirror seen before us, and the ironic suggestion is made that these are now the main subject of the artist. The Infanta and her companions also seem ironically well-suited to the schoolroom scene, but the otherwise ubiquitous portrait of George Washington is not on display as in the pastiches of American works by Deem, such as those of Hopper and Eakins and in Deem's opening "Schoolroom" scene... As in other of Deem's "Art School" works the original works are not subjected to satire as much as to an ironic reworking that suggests Deem is paying homage to the earlier artists rather than making a satiric attack on their styles or subject matter. (Margaret A. Rose, Pictorial Irony, Parody, and Pastiche: Comic interpictoriality in the arts of the 19th and 20th centuries, Aisthesis Verlag, 2011 p. 190-91).
| Artist's Notes
School of Velazquez
Working with Velazquez's great painting Las Meninas, using his perspective structure, I have projected my school desks out from his painting. Velazquez, the master painter, stands at his easel in front of my school desks. -- Undated note | ExhibitionsEvansville Museum of Arts and Science, Evansville, Indiana Nassau County Museum of Art, Roslyn Harbor, New York
Indiana State Museum, Indianapolis, Indiana |