| WorkGeorge Washington Vermeer
New Britain Museum of American Art, New Britain, Connecticut. Gift of the Estate of George Deem. Accession Number 2013.54.53 | Image Notes
Reference Vermeer, The Music Lesson, c. 1662-64. The Royal Collection, London; Gilbert Stuart, George Washington, The Athenaeum Portrait, 1796. Photolithograph of painting, 1979 | Artist's Notes
In George Washington Vermeer, I quote two paintings: Vermeer's Music Lesson (1662-65) and Gilbert Stuart's unfinished portrait of George Washington (1796). I removed Vermeer's two standing figures of a woman and a man, and replaced Vermeer's mirror on the wall above the virginal with the portrait of George Washington. My black and brown and white palette alludes to the black-and-white image of Washington on the American dollar bill (the greenback is printed in green ink on the back only). Also, I like the analogy to the black-and-white crispness of historical documents displayed as objects for observation. How To Paint A Vermeer, A Painter's History of Art, Thames & Hudson, 2004. 86-87.
| ExhibitionsYale University Jonathan Edwards College Master's House
Indianapolis Museum of Art, Indianapolis, Indiana
Ambassador's Residence, U.S. Embassy, The Hague, The Netherlands
University of Oregon Museum of Art, Eugene, Oregon
Whitney Museum of American Art, New York
Harm Bouckaert Gallery, New York
Fraunces Tavern Museum, New York
Capricorn Galleries, Bethesda, Maryland Sneed-Hillman Gallery, Rockford, Illinois On View Downtown Gallery, Indianapolis, Indiana |